This page has been updated many times since 2015, when the announcement of a Blacksburg and New River Valley ukulele get together inspired me to look into the past of ukulele playing in the region's oldtime music communities... My goal was to tell uke players that they didn't need to look for uke-only events, that they would not necessarily be met with scorn and derision at mixed jam sessions in the area, if they were willing to listen, learn some traditional old time string band tunes -- and keep within the style.
As I eventually learned, while they took a minor supporting role, ukes appeared to have been infiltrating old time music recordings in a small way even before John Hopkins' started strumming his triplets on a banjo ukulele loud and clear in the original "Hill Billies," 1926:
Blue Ridge Mountain Blues - The Hill Billies 1926!
"Al Hopkins ... was the leader of his own band called the Hill Billies (also known as the Buckle Busters). The band members consisted of Al Hopkins (piano), John Hopkins (ukulele), Joe Hopkins (guitar), John Rector (banjo), and Tony Alderman (fiddle).
"The Hill Billies had been discovered by Ralph Peer a year earlier and had made some records for Okeh (a forerunner of Columbia). When Ralph Peer asked Al Hopkins the name of his band, Al responded “We ain’t nothing but a bunch of hillbillies from North Carolina and Virginia. You can just call us anything.” Mr. Peer appropriately named them the “Hill Billies”.
I first heard the banjo ukulele played with a fiddle and 5-string banjo in the late 1970s or early 1980s by a more contemporary band, the Horse Flies from Ithaca, N.Y.
Alternating between guitar and banjo uke, depending on the tune, Jeff Claus provided a rock-solid rhythm for the band. I have seen an interview with him somewhere referring to the instrument as "a drum on a stick."
Another contemporary player, John Kelley, headed his web essay and instructional page about the instrument, "Banjo Uke -- the Tommy Gun of old time music!"
However, not all old time Fiddlers will appreciate having a Tommy Gun in their local jam session. It is best to ask, or be very sensitive to icy stares!
This picture turned up in an oldtime radio discussion forum... I had no idea George Gobel started out as an adolescent radio-barn-dance ukulele player during his "Georgie" days! By the 1950s when I first saw him, he was much better known as Ernie Ford's "little bitty buddy" strumming orchestral jazz chords on an oversize Gibson Super 400 guitar along with the jokes and songs on TV.
That big Gibson was almost part of the joke itself, looking out of proportion strapped around the diminutive crewcut Goble. Result: Gibson even named a custom smaller, slimmer jazz guitar after him. (I haven't seen any archival clips showing him going back to the ukulele, but wouldn't be surprised if that didn't turn up in one of Gobel and Ford's TV comedy skits.)
"He was one of the favorites, as well as the youngest performer at the time on WLS' National Barn Dance, a homegrown program which was hugely popular from its inception in 1924 and enduring for over 50 years. George's era started with his debut in 1933. George played the ukulele, which was not a union instrument, thereby avoiding paying union dues."
(Or maybe that was just a punchline in George's transition from mostly-musician to mostly-comedian?
While this was a more general blog at first, since 2009, Boblog has been for occasional writing about music, part of trying to differentiate my web writing spaces. My other blogs are JHeroes (old-time radio's portrayal of journalists) & Other Journalism, a general-purpose writerly blog, successor to stepno.com/oldblog. When I was teaching, they all sometimes served other purposes.
I have worked for two newspapers (one full time for 11 years), several magazines, four software companies, and six colleges and universities, counting part-time, freelance and student jobs. See stepno.com.
